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• Author : Anonim
• Publisher :Unknown
• Release Date :2008
• Total pages :653
• ISBN : UOM:39015080712691

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Summary : Containing a collection of over 200 musical compositions and movements, this book offers music theory classes illustrations of chords, voice-leading techniques, and forms. It is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style.

• Author : Charles L. Burkhart
• Publisher :Unknown
• Release Date :1979
• Total pages :633
• ISBN : UOM:39015018125495

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• Author : Charles Burkhart,Charles L. Burkhart
• Publisher :Unknown
• Release Date :1993-12-31
• Total pages :593
• ISBN : UCSC:32106012310048

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Summary : This landmark collection of complete musical compositions and movements, ranging in time from the Middle Ages to the present, contains a large and varied body of music for study. In addition to providing ample material for both a full-year course in the analysis of musical forms and a one-semester course in twentieth-century techniques, the book offers first- and second-year music theory classes a wealth of illustrations of chords, voice-leading techniques, and forms--plus some material for figured-bass realization and score reading. Because the book consists primarily of music and takes no theoretical position, it is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style.

• Author : Charles L. Burkhart
• Publisher :Unknown
• Release Date :1972
• Total pages :578
• ISBN : UOM:49015001048934

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• Author : Charles L. Burkhart,Charles Burkhart,William Rothstein
• Publisher :Unknown
• Release Date :2011
• Total pages :661
• ISBN : 1111837759

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Summary : A landmark collection of over 200 complete musical compositions and movements, ranging from the Middle Ages to the present, ANTHOLOGY FOR MUSICAL ANALYSIS, International Edition offers first- and second-year music theory students a wealth of illustrations of chords, voice-leading techniques, and forms, plus some material for figured-bass realization and score reading. Because this book takes no theoretical position, it is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style.

• Author : Charles Burkhart,William Rothstein
• Publisher :Unknown
• Release Date :2014-01-01
• Total pages :464
• ISBN : 1285778383

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Summary : A landmark collection of 141 complete musical compositions and movements from the common-practice period, ANTHOLOGY FOR MUSICAL ANALYSIS: THE COMMON-PRACTICE PERIOD offers learners of music theory a wealth of illustrations of chords, voice-leading techniques, and forms. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

• Author : Charles Burkhart,William Rothstein
• Publisher :Unknown
• Release Date :2014-01-01
• Total pages :464
• ISBN : 9781305162983

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Summary : A landmark collection of 141 complete musical compositions and movements from the common-practice period, ANTHOLOGY FOR MUSICAL ANALYSIS: THE COMMON-PRACTICE PERIOD offers learners of music theory a wealth of illustrations of chords, voice-leading techniques, and forms. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

• Author : Charles Burkhart
• Publisher :Unknown
• Release Date :1964
• Total pages :382
• ISBN : OCLC:615230

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• Author : Anonim
• Publisher :Unknown
• Release Date :2011
• Total pages :229
• ISBN : 1111654581

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• Author : Charles Burkhart
• Publisher :Unknown
• Release Date :1986
• Total pages :229
• ISBN : OCLC:744670372

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• Author : Timothy Cutler
• Publisher :Unknown
• Release Date :2018-10
• Total pages :229
• ISBN : 0393617351

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Summary : Drawing on Timothy Cutler's extensive pedagogical experience, this anthology provides ideal examples for any theory class. Consisting of excerpts organized by topic, the anthology is designed to support any theory text and contains the perfect examples to illustrate every theoretical concept. The Anthology of Music for Analysis is part of Norton's suite of resources for the theory curriculum and offers students substantial savings when packaged with a Norton theory text.

• Author : Nicholas Cook
• Publisher :Unknown
• Release Date :1994
• Total pages :376
• ISBN : 0198165080

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Summary : This extremely practical introduction to musical analysis explores the factors that give unity and coherence to musical masterpieces. Having first identified and explained the most important analytical methods, Nicholas Cook examines given compositions from the last two hundred years to show how different analytical procedures suit different types of music.

• Author : Charles L. Burkhart
• Publisher :Unknown
• Release Date :1986
• Total pages :602
• ISBN : OCLC:17578599

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• Author : Matthew Santa
• Publisher :Unknown
• Release Date :2016-08-10
• Total pages :235
• ISBN : 1138929689

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Summary : Supplemental material: Anthology for Hearing Form.

• Author : Leon Stein
• Publisher :Unknown
• Release Date :1999-11-27
• Total pages :320
• ISBN : 1457400944

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Summary : Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.

• Author : Glenn Spring,Jere Hutcheson
• Publisher :Unknown
• Release Date :2013-08-29
• Total pages :410
• ISBN : 9781478611738

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Summary : Understanding the way music unfolds to the listener is a major key for unlocking the secrets of the composer’s art. Musical Form and Analysis, highly regarded and widely used for two decades, provides a balanced theoretical and philosophical approach that helps upper-level undergraduate music majors understand the structures and constructions of major musical forms. Spring and Hutcheson present all of the standard topics expected in such a text, but their approach offers a unique conceptual thrust that takes readers beyond mere analytical terminology and facts. Evocative rather than encyclopedic, the text is organized around three elements at work at all levels of music: time, pattern, and proportion. Well-chosen examples and direct, well-crafted assignments reinforce techniques. A 140-page anthology of music for in-depth analysis provides a wide range of carefully selected works.

• Author : Matthew Santa
• Publisher :Unknown
• Release Date :2018-10-24
• Total pages :434
• ISBN : 9781315527710

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Summary : Hearing Form: Musical Analysis With and Without the Score is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms. Hearing Form is supported by a workbook, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, audio streaming of recordings for the pieces in the anthology, and downloadable sound files. The second edition has been updated to include: Additional score-based exercises More music of the Romantic era and more vocal music New scores included in the Anthology, with twice as many composers represented With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear. Please note: this is the Hearing Form anthology only. For the Hearing Form textbook, order ISBN 978-1-138-92968-5. For the textbook and anthology set, order ISBN 978-1-138-90069-1.

• Author : Darla Crispin,Bob Gilmore
• Publisher :Unknown
• Release Date :2014-10-07
• Total pages :416
• ISBN : 9789462700130

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Summary : Essential reading for anyone interested in artistic research applied to music This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus Research Centre in Music (ORCiM) in Ghent, Belgium. The book critically examines experimentation in music of different historical eras. It is essential reading for performers, composers, teachers, and others wanting to inform themselves of the issues and the current debates in the new field of artistic research as applied to music. The publication is accompanied by a CD of music discussed in the text, and by an online resource of video illustrations of specific issues. Contributors Paulo de Assis (ORCiM), Richard Barrett (Institute of Sonology, The Hague), Tom Beghin (McGill University), William Brooks (University of York, ORCiM), Nicholas G. Brown (University of East Anglia), Marcel Cobussen (University of Leiden), Kathleen Coessens (Vrije Universiteit Brussel, ORCiM); Paul Craenen (Director Musica, Impulse Centre for Music), Darla Crispin (Norwegian Academy of Music), Stephen Emmerson (Queensland Conservatorium, Griffith University, Brisbane), Henrik Frisk (Malmö Academy of Music), Bob Gilmore (ORCiM), Valentin Gloor (ORCiM), Yolande Harris (Center for Digital Arts and Experimental Media – DXARTS), University of Washington, Seattle), Mieko Kanno (Royal Conservatoire of Scotland), Andrew Lawrence-King (Guildhall School of Music and Drama, London, Royal Danish Academy of Music, Copenhagen, University of Western Australia), Catherine Laws (University of York, ORCiM), Stefan Östersjö (ORCiM), Juan Parra (ORCiM), Larry Polansky (University of California, Santa Cruz), Stephen Preston, Godfried-Willem Raes (Logos Foundation, Ghent), Hans Roels (ORCiM), Michael Schwab (ORCiM, Royal College of Art, London, Zurich University of the Arts), Anna Scott (ORCiM), Steve Tromans (Middlesex University), Luk Vaes (ORCiM), Bart Vanhecke (KU Leuven, ORCiM)

• Author : Douglass Marshall Green
• Publisher :Unknown
• Release Date :1979
• Total pages :324
• ISBN : UOM:39015060765057

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Summary : Like many texts on musical analysis, FORMS IN TONAL MUSIC equips students to critically examine a wide range of compositions and forms. However, Green's text takes students a step further by enabling them to approach musical works unencumbered by preconceived notions of what characteristics the text should or should not have. Providing specific help on every aspect of musical analysis, this text uses many of the compositions found in Charles Burkhart's ANTHOLOGY FOR MUSICAL ANALYSIS, but it allows students the freedom to explore works that they already own.

• Author : Judy Lochhead
• Publisher :Unknown
• Release Date :2015-06-19
• Total pages :180
• ISBN : 9781317581086

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Summary : This book studies recent music in the western classical tradition, offering a critique of current analytical/theoretical approaches and proposing alternatives. The critique addresses the present fringe status of recent music sometimes described as crossover, postmodern, post-classical, post-minimalist, etc. and demonstrates that existing descriptive languages and analytical approaches do not provide adequate tools to address this music in positive and productive terms. Existing tools and concepts were developed primarily in the mid-20th century in tandem with the high modernist compositional aesthetic, and they have changed little since then. The aesthetics of music composition, on the other hand, have been in constant transformation. Lochhead proposes new ways to conceive musical works, their structurings of musical experience and time, and the procedures and goals of analytic close reading. These tools define investigative procedures that engage the multiple perspectives of composers, performers, and listeners, and that generate conceptual modes unique to each work. In action, they rebuild a conceptual, methodological, and experiential place for recent music. These new approaches are demonstrated in analyses of four pieces: Kaija Saariaho’s Lonh (1996), Sofia Gubaidulina’s Second String Quartet (1987), Stacy Garrop’s String Quartet no.2, Demons and Angels (2004-05), and Anna Clyne’s "Choke" (2004). This book defies the prediction of classical music’s death, and will be of interest to scholars and musicians of classical music, and those interested in music theory, musicology, and aural culture.

• Author : RobertP. Morgan
• Publisher :Unknown
• Release Date :2017-07-05
• Total pages :376
• ISBN : 9781351557139

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Summary : Robert P. Morgan is one of a small number of music theorists writing in English who treat music theory, and in particular Schenkerian theory, as part of general intellectual life. Morgan?s writings are renowned within the field of music scholarship: he is the author of the well-known Norton volume Twentieth-Century Music, and of additional books relating to Schenkerian and other theory, analysis and society. This volume of Morgan?s previously published essays encompasses a broad range of issues, including historical and social issues and is of importance to anyone concerned with modern Western music. His specially written introduction treats his writings as a whole but also provides additional material relating to the articles included in this volume.