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• Author : Anonim
• Publisher :Unknown
• Release Date :2008
• Total pages :653
• ISBN : UOM:39015080712691

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Summary : Containing a collection of over 200 musical compositions and movements, this book offers music theory classes illustrations of chords, voice-leading techniques, and forms. It is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style.

• Author : Charles L. Burkhart,Charles Burkhart,William Rothstein
• Publisher :Unknown
• Release Date :2011
• Total pages :661
• ISBN : 1111837759

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Summary : A landmark collection of over 200 complete musical compositions and movements, ranging from the Middle Ages to the present, ANTHOLOGY FOR MUSICAL ANALYSIS, International Edition offers first- and second-year music theory students a wealth of illustrations of chords, voice-leading techniques, and forms, plus some material for figured-bass realization and score reading. Because this book takes no theoretical position, it is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style.

• Author : Charles Burkhart,William Rothstein
• Publisher :Unknown
• Release Date :2014-01-01
• Total pages :464
• ISBN : 9781285778389

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Summary : A landmark collection of 141 complete musical compositions and movements from the common-practice period, ANTHOLOGY FOR MUSICAL ANALYSIS: THE COMMON-PRACTICE PERIOD offers learners of music theory a wealth of illustrations of chords, voice-leading techniques, and forms. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

• Author : Charles Burkhart,William Rothstein
• Publisher :Unknown
• Release Date :2014-01-01
• Total pages :464
• ISBN : 9781305162983

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Summary : A landmark collection of 141 complete musical compositions and movements from the common-practice period, ANTHOLOGY FOR MUSICAL ANALYSIS: THE COMMON-PRACTICE PERIOD offers learners of music theory a wealth of illustrations of chords, voice-leading techniques, and forms. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.

• Author : Charles L. Burkhart
• Publisher :Unknown
• Release Date :1972
• Total pages :578
• ISBN : UOM:49015001048934

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Summary :

• Author : Charles L. Burkhart
• Publisher :Unknown
• Release Date :1986
• Total pages :602
• ISBN : OCLC:17578599

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• Author : Stefan M. Kostka,Roger Carper Graybill
• Publisher :Unknown
• Release Date :2004
• Total pages :611
• ISBN : 0130915440

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Summary : A book of musical selections that were carefully chosen for their high quality, this anthology contains more than 150 complete pieces or movements ranging from the Baroque period to the present day. It enables the reader to get a representative sampling of the world's best music. While stressing the themes of harmony and form, this book achieves instrumental variety, with keyboard music, choral and vocal music, and a repertoire for horn, flute, and organ. This anthology is divided by composer, and includes works by the major composers from the Baroque Period through the Twentieth Century. For workers in the field of music, or anyone needing an informative reference anthology of classical greats.cal greats.

• Author : Matthew Santa
• Publisher :Unknown
• Release Date :2018-10-24
• Total pages :434
• ISBN : 9781315527710

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Summary : Hearing Form: Musical Analysis With and Without the Score is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms. Hearing Form is supported by a workbook, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, audio streaming of recordings for the pieces in the anthology, and downloadable sound files. The second edition has been updated to include: Additional score-based exercises More music of the Romantic era and more vocal music New scores included in the Anthology, with twice as many composers represented With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear. Please note: this is the Hearing Form anthology only. For the Hearing Form textbook, order ISBN 978-1-138-92968-5. For the textbook and anthology set, order ISBN 978-1-138-90069-1.

• Author : Timothy Cutler
• Publisher :Unknown
• Release Date :2018-10
• Total pages :229
• ISBN : 0393617351

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Summary : Drawing on Timothy Cutler's extensive pedagogical experience, this anthology provides ideal examples for any theory class. Consisting of excerpts organized by topic, the anthology is designed to support any theory text and contains the perfect examples to illustrate every theoretical concept. The Anthology of Music for Analysis is part of Norton's suite of resources for the theory curriculum and offers students substantial savings when packaged with a Norton theory text.

• Author : Leon Stein
• Publisher :Unknown
• Release Date :1999-11-27
• Total pages :320
• ISBN : 1457400944

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Summary : Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.

• Author : Douglass Marshall Green
• Publisher :Unknown
• Release Date :1979
• Total pages :324
• ISBN : UOM:39015060765057

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Summary : Like many texts on musical analysis, FORMS IN TONAL MUSIC equips students to critically examine a wide range of compositions and forms. However, Green's text takes students a step further by enabling them to approach musical works unencumbered by preconceived notions of what characteristics the text should or should not have. Providing specific help on every aspect of musical analysis, this text uses many of the compositions found in Charles Burkhart's ANTHOLOGY FOR MUSICAL ANALYSIS, but it allows students the freedom to explore works that they already own.

• Author : Jane Piper Clendinning,Elizabeth West Marvin
• Publisher :Unknown
• Release Date :2016-06-01
• Total pages :1008
• ISBN : 9780393600483

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Summary : The Musician’s Guide to Theory and Analysis is a complete package of theory and aural skills resources that covers every topic commonly taught in the undergraduate sequence. The package can be mixed and matched for every classroom, and with Norton’s new Know It? Show It! online pedagogy, students can watch video tutorials as they read the text, access formative online quizzes, and tackle workbook assignments in print or online. In its third edition, The Musician’s Guide retains the same student-friendly prose and emphasis on real music that has made it popular with professors and students alike.

• Author : Darla Crispin,Bob Gilmore
• Publisher :Unknown
• Release Date :2014-10-07
• Total pages :416
• ISBN : 9789462700130

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Summary : Essential reading for anyone interested in artistic research applied to music This book is the first anthology of writings about the emerging subject of artistic experimentation in music. This subject, as part of the cross-disciplinary field of artistic research, cuts across boundaries of the conventional categories of performance practice, music analysis, aesthetics, and music pedagogy. The texts, most of them specially written for this volume, have a common genesis in the explorations of the Orpheus Research Centre in Music (ORCiM) in Ghent, Belgium. The book critically examines experimentation in music of different historical eras. It is essential reading for performers, composers, teachers, and others wanting to inform themselves of the issues and the current debates in the new field of artistic research as applied to music. The publication is accompanied by a CD of music discussed in the text, and by an online resource of video illustrations of specific issues. Contributors Paulo de Assis (ORCiM), Richard Barrett (Institute of Sonology, The Hague), Tom Beghin (McGill University), William Brooks (University of York, ORCiM), Nicholas G. Brown (University of East Anglia), Marcel Cobussen (University of Leiden), Kathleen Coessens (Vrije Universiteit Brussel, ORCiM); Paul Craenen (Director Musica, Impulse Centre for Music), Darla Crispin (Norwegian Academy of Music), Stephen Emmerson (Queensland Conservatorium, Griffith University, Brisbane), Henrik Frisk (Malmö Academy of Music), Bob Gilmore (ORCiM), Valentin Gloor (ORCiM), Yolande Harris (Center for Digital Arts and Experimental Media – DXARTS), University of Washington, Seattle), Mieko Kanno (Royal Conservatoire of Scotland), Andrew Lawrence-King (Guildhall School of Music and Drama, London, Royal Danish Academy of Music, Copenhagen, University of Western Australia), Catherine Laws (University of York, ORCiM), Stefan Östersjö (ORCiM), Juan Parra (ORCiM), Larry Polansky (University of California, Santa Cruz), Stephen Preston, Godfried-Willem Raes (Logos Foundation, Ghent), Hans Roels (ORCiM), Michael Schwab (ORCiM, Royal College of Art, London, Zurich University of the Arts), Anna Scott (ORCiM), Steve Tromans (Middlesex University), Luk Vaes (ORCiM), Bart Vanhecke (KU Leuven, ORCiM)

• Author : Ralph Turek
• Publisher :Unknown
• Release Date :1984
• Total pages :275
• ISBN : UOM:39015010371576

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• Author : James Mathes
• Publisher :Unknown
• Release Date :2007
• Total pages :386
• ISBN : 0130618632

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Summary : 'The Analysis of Musical Form' emphasizes aural comprehension, incorporates recent analytic methodologies, and addresses musical form as both process and design. James Mathes wrote this book due to a lack of textbooks written in the past dozen years on musical form.The relatively few texts on the market do not address recent scholarship or methodology, do not address phrase rhythm and formal processes in a systematic or thorough manner, and omit discussion of vocal forms and developments in post-tonal music of the 20th century. There is also a lack of emphasis on aural comprehension of musical forms. Separate chapters on vocal forms and 20th-century music, inclusion of recent developments in analytic methodology with suggested readings, and aural exercises.

• Author : Aaron Copland
• Publisher :Unknown
• Release Date :2011-02-01
• Total pages :304
• ISBN : 9781101513149

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Summary : Now in trade paperback: “The definitive guide to musical enjoyment” (Forum). In this fascinating analysis of how to listen to both contemporary and classical music analytically, eminent American composer Aaron Copland offers provocative suggestions that will bring readers a deeper appreciation of the most viscerally rewarding of all art forms.

• Author : Thomas Forrest Kelly
• Publisher :Unknown
• Release Date :2011-04-25
• Total pages :144
• ISBN : 0199831890

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Summary : From Gregorian chant to Bach's Brandenburg Concerti, the music of the Medieval, Renaissance, and Baroque periods is both beautiful and intriguing, expanding our horizons as it nourishes our souls. In this Very Short Introduction, Thomas Forrest Kelly provides not only a compact overview of the music itself, but also a lively look at the many attempts over the last two centuries to revive it. Kelly shows that the early-music revival has long been grounded in the idea of spontaneity, of excitement, and of recapturing experiences otherwise lost to us--either the rediscovery of little-known repertories or the recovery of lost performing styles, with the conviction that, with the right performance, the music will come to life anew. Blending musical and social history, he shows how the Early Music movement in the 1960s took on political overtones, fueled by a rebellion against received wisdom and enforced conformity. Kelly also discusses ongoing debates about authenticity, the desirability of period instruments, and the relationship of mainstream opera companies and symphony orchestras to music that they often ignore, or play in modern fashion.

• Author : Ralph Turek
• Publisher :Unknown
• Release Date :1992-02
• Total pages :576
• ISBN : UCSD:31822025919184

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Summary : This collection of 155 musical scores from more than 50 composers is intended for music theory (freshman/sophomore) and analysis (junior or senior) courses required of music majors. The music is organized chronologically and grouped into units representing historical periods from the Middle Ages to the Twentieth Century. The book is an excellent value for students, offering a broad range of selections that can be used from the freshman through junior or senior years of study. A unique instructor's reference manual contains teaching suggestions, discography, index of forms and genres, and answers to text questions.

• Author : Ralph Turek
• Publisher :Unknown
• Release Date :1983
• Total pages :898
• ISBN : 0075542854

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Summary :

• Author : Matthew Santa
• Publisher :Unknown
• Release Date :2016-09-01
• Total pages :229
• ISBN : 1138929670

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Summary : Hearing Form is a textbook and workbook on the subject of musical form. The goals of this book are to teach students to: identify phrase endings and cadence types in music with or without a score. identify harmonic sequence types in music with or without a score. identify modulations in music with or without a score. identify formal sections in music with or without a score. identify musical forms with or without a score. Hearing Form reviews concepts that are covered in freshman and sophomore music theory courses, such as score reading, instrumental transposition, cadences, phrase structure, harmonic sequences, modulation, and chromatic harmonies. It includes an anthology, audio CDs and a companion website with student and instructor websites.

• Author : David Schulenberg
• Publisher :Unknown
• Release Date :2013-10-03
• Total pages :400
• ISBN : 0199942013

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Summary : This textbook is a concise survey of European music from 1600 through 1750 and is designed for junior/senior level courses in Baroque music.