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Experience Music

Experience Music
  • Author : Katherine Charlton
  • Publisher :Unknown
  • Release Date :2018
  • Total pages :402
  • ISBN : 1260043371
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Summary :

Music in American Religious Experience

Music in American Religious Experience
  • Author : Professor of Music and Jewish Studies Philip V Bohlman,Philip V. Bohlman,Edith Waldvogel Blumhofer,Edith Blumhofer,Maria M. Chow,Director of the Institute for the Study of American Evangelicals Edith Blumhofer,Maria Chow
  • Publisher :Unknown
  • Release Date :2006
  • Total pages :350
  • ISBN : 019517304X
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Summary : Since the appearance of The Bay Psalm Book in 1640, music has served as a defining factor for American religious experience. Music and music-making are crucial to the maintenance of the distinctive belief systems that account for the insistent presence of multiculturalism in American denominationalism. The sacred musics of America at once symbolize the unifying factors of worship shaping the historical landscape and give voice to the diversity that distinguishes the religious experiences of that landscape as American. For students and scholars in American music and religious studies, as well as for church musicians, this book is the first to study the ways in which music shapes the distinctive presence of religion in the United States. The sixteen essayists contributing to this book address the fullness of music's presence in American religion and religious history. Sacred music is considered in the broadest aesthetic sense, stretching from more traditional studies of hymnody and worship to new forms of musical expression, such as ritual in nonsectarian religious movements. Musical experience intersects with religious experience, posing challenging questions about the ways in which Americans, historical communities and new immigrants, and racial and ethnic groups, construct their sense of self. This book features an interdisciplinary approach that includes scholars in both musical and religious studies; a broad range of methodologies; historical breadth extending beyond denominational and church studies, and beyond Judeo-Christian traditions; and a comparative study of traditional religious communities and of emerging groups representing multiethnic America.

Exam Prep for: Experience Music

Exam Prep for: Experience Music
  • Author : Anonim
  • Publisher :Unknown
  • Release Date :2021
  • Total pages :229
  • ISBN : 1230987654XX
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Summary :

Crossroads

Crossroads
  • Author : Chris Bruce
  • Publisher :Unknown
  • Release Date :2000
  • Total pages :178
  • ISBN : STANFORD:36105028634074
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Summary : This fresh, accessible, and strikingly designed look at the history and future of rock 'n' roll catalogs various artifacts in the collection of the Experience Music Project, a new Seattle rock museum designed by world-renowned architect Frank Gehry. Wood's Introduction is followed by essays by Jim Fricke, Peter Blocha, and others. 200 color illustrations.

Understanding the Musical Experience

Understanding the Musical Experience
  • Author : F. Joseph Smith
  • Publisher :Unknown
  • Release Date :1989
  • Total pages :230
  • ISBN : 2881242049
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Summary :

Musical Experience in Our Lives

Musical Experience in Our Lives
  • Author : Jody L. Kerchner,Carlos R. Abril
  • Publisher :Unknown
  • Release Date :2009
  • Total pages :349
  • ISBN : 9781578869459
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Summary : This book explores the various ways music affects people and how they create meaning from everyday musical experiences, from infancy through old age. These experiences help us construct meaning and understanding of ourselves, our cultures, and our world. The contributors examine the nature of musical experience and how it changes throughout our lifespan.

The Experience

The Experience
  • Author : Experience Music Project
  • Publisher :Unknown
  • Release Date :2000
  • Total pages :58
  • ISBN : UVA:X006099731
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Summary :

The Musical Experience

The Musical Experience
  • Author : Janet R. Barrett,Peter R. Webster
  • Publisher :Unknown
  • Release Date :2014-07-15
  • Total pages :328
  • ISBN : 9780199363056
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Summary : The Musical Experience proposes a new concept - musical experience - as the most effective framework for navigating the shifting terrain of educational policy as it is applied to music education. The editors and contributors define musical experience as being characterized by the depth of affective and emotional responses that music generates. The chapters map out the primary forms of musical engagement - performing, listening, improvising, and composing - as activities which play a key role in classroom teaching. They also address the cultural scope of musical experience, which calls for the consideration of time, place, beliefs, and values to be placed upon musical activities. The Musical Experience discusses how music teachers can most effectively rely on means of musical communication to lead students toward the development and refinement of musical skills, understandings, and expression in educational settings. This book serves to expand upon the dimensions of musical experience and provides, from the forefront of the field, an integrated yet panoramic view of the educational processes involved in music teaching and learning.

This is Pop

This is Pop
  • Author : Eric Weisbard,Senior Program Manager of Education Eric Weisbard
  • Publisher :Unknown
  • Release Date :2004
  • Total pages :389
  • ISBN : 0674013212
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Summary : The breadth and vitality of pop music are captured in a study that brings together examinations of pop music by pioneers in the study of pop music, pivotal critics, as well as musicians active in the riot grrl and rock scenes.

Music: A Social Experience

Music: A Social Experience
  • Author : Steven Cornelius,Mary Natvig
  • Publisher :Unknown
  • Release Date :2016-06-03
  • Total pages :266
  • ISBN : 9781315404288
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Summary : Music: A Social Experience offers a topical approach for a music appreciation course. Through a series of subjects–from Music and Worship to Music and War and Music and Gender–the authors present active listening experiences for students to experience music's social and cultural impact. The book offers an introduction to the standard concert repertoire, but also gives equal treatment to world music, rock and popular music, and jazz, to give students a thorough introduction to today's rich musical world. Through lively narratives and innovative activities, the student is given the tools to form a personal appreciation and understanding of the power of music. The book is paired with an audio compilation featuring listening guides with streaming audio, short texts on special topics, and sample recordings and notation to illustrate basic concepts in music. There is not a CD-set, but the companion website with streaming audio is provided at no additional charge.

Christian Congregational Music

Christian Congregational Music
  • Author : Dr Carolyn Landau,Dr Monique Ingalls,Mr Tom Wagner
  • Publisher :Unknown
  • Release Date :2013-09-28
  • Total pages :242
  • ISBN : 9781409466048
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Summary : Christian Congregational Music explores the role of congregational music in Christian religious experience, examining how musicians and worshippers perform, identify with and experience belief through musical praxis. Contributors from a broad range of fields, including music studies, theology, literature, and cultural anthropology, present interdisciplinary perspectives on a variety of congregational musical styles - from African American gospel music, to evangelical praise and worship music, to Mennonite hymnody - within contemporary Europe and North America. In addressing the themes of performance, identity and experience, the volume explores several topics of interest to a broader humanities and social sciences readership, including the influence of globalization and mass mediation on congregational music style and performance; the use of congregational music to shape multifaceted identities; the role of mass mediated congregational music in shaping transnational communities; and the function of music in embodying and imparting religious belief and knowledge. In demonstrating the complex relationship between ‘traditional’ and ‘contemporary’ sounds and local and global identifications within the practice of congregational music, the plurality of approaches represented in this book, as well as the range of musical repertoires explored, aims to serve as a model for future congregational music scholarship.

Music

Music
  • Author : Steven Cornelius,Mary Natvig
  • Publisher :Unknown
  • Release Date :2018
  • Total pages :328
  • ISBN : 041578932X
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Summary : Music: A Social Experience, Second Edition offers a thematic approach for the music appreciation course. Through a series of topics--from Music and Worship, to Music and War and Music and Gender--the authors present active listening experiences for students to experience music's social and cultural impact. The book offers an introduction to the standard concert repertoire, but also gives equal treatment to world music, rock and popular music, and jazz, for a thorough introduction to today's rich musical world. Through lively narratives and innovative activities, students can form an understanding of the power of music. A companion website features streaming audio and instructors' resources. New to this edition Two additional chapters: "Music and the Life Cycle" and "Music and Technology" Essay questions and "key terms" lists at end of chapters Additional repertoire and listening guides covering all historical periods of Western art music Expanded instructors' resources Many additional images Updated student web materials

Through Music to the Self

Through Music to the Self
  • Author : Peter Michael Hamel
  • Publisher :Unknown
  • Release Date :2002-06-01
  • Total pages :240
  • ISBN : 1843332086
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Summary :

Coherence in New Music: Experience, Aesthetics, Analysis

Coherence in New Music: Experience, Aesthetics, Analysis
  • Author : Mark Hutchinson
  • Publisher :Unknown
  • Release Date :2016-06-10
  • Total pages :214
  • ISBN : 9781317164647
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Summary : What does it mean to talk about musical coherence at the end of a century characterised by fragmentation and discontinuity? How can the diverse influences which stand behind the works of many late twentieth-century composers be reconciled with the singular immediacy of the experiences that they can create? How might an awareness of the distinctive ways in which these experiences are generated and controlled affect the way we listen to, reflect upon and write about this music? Mark Hutchinson outlines a novel concept of coherence within Western art music from the 1980s to the turn of the millennium as a means of understanding the work of a number of contemporary composers, including Thomas Adès, Kaija Saariaho, Tō ru Takemitsu and György Kurtág, whose music cannot be fitted easily into a particular compositional school or analytical framework. Coherence is understood as a multi-layered phenomenon experienced, above all, in the act of listening, but reliant upon a variety of other aspects of musical experience, including compositional statements, analysis, and connections of aesthetic, as well as listeners' own, imaginative conceptualisations. Accordingly, the approach taken here is similarly multi-faceted: close analytical readings of a number of specific works are combined with insights drawn from philosophy and aesthetics, music perception, and critical theory, with a particular openness to novel metaphorical presentations of basic musical ideas about form, language and time.

Report

Report
  • Author : District of Columbia. Board of Education
  • Publisher :Unknown
  • Release Date :1897
  • Total pages :229
  • ISBN : UOM:39015076587347
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Summary :

Annual Report of the Commissioners of the District of Columbia ...

Annual Report of the Commissioners of the District of Columbia ...
  • Author : District of Columbia. Board of Commissioners
  • Publisher :Unknown
  • Release Date :1897
  • Total pages :229
  • ISBN : CORNELL:31924087792077
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Summary :

Music in the Human Experience

Music in the Human Experience
  • Author : Donald A. Hodges,David C. Sebald
  • Publisher :Unknown
  • Release Date :2011
  • Total pages :439
  • ISBN : 0415881862
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Summary : CD-ROM contains interactive tutorials to accompany book.

Aesthetics and Experience in Music Performance

Aesthetics and Experience in Music Performance
  • Author : Elizabeth Mackinlay,Denis Collins,Samantha Owens
  • Publisher :Unknown
  • Release Date :2008-12-11
  • Total pages :367
  • ISBN : 9781443802307
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Summary : Drawing upon a wide range of scholarly enquiry into early music, queer musicology, ethnomusicology, performance practice, music education and technology, Aesthetics and Experience in Music Performance provides a lively forum for the articulation of varied perspectives on the role of music, its interpretation and function in contexts supported by those who practice or experience it. The formal and shorter discussion papers included in this scholarly collection were presented at the National Workshop of the Musicological Society of Australia, held at the University of Queensland, Brisbane in October 2003. The themes of aesthetics and experience are central to this publication and each paper engages in a scholarly dialogue on the technical, expressive and embodied aspects of performance. The papers included in this publication bring together the research of a wide community of scholars (e.g., musicologists, anthropologists, ethnomusicologists and linguists) working in the field of performance studies and collectively reflect the musicological issues being debated in Australia today.

Professional Music-making in London

Professional Music-making in London
  • Author : Stephen Cottrell
  • Publisher :Unknown
  • Release Date :2017-11-28
  • Total pages :232
  • ISBN : 9781351151306
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Summary : Professional Music-Making in London is an engaging yet innovative study which examines the lives and work of Western art musicians from an ethnographic perspective. Drawing in part on his own professional experience, Stephen Cottrell considers to what extent musicians in Western society conform to Alan Merriam's paradigmatic assessment of them as having low status yet high respect, as well as being given an unusual degree of licence to deviate from convention. The book draws on a wide variety of approaches from scholars elsewhere: from ethnomusicologists such as Bruno Nettl and Henry Kingsbury, performance theorists such as Richard Schechner and Victor Turner, as well as psychologists such as Sigmund Freud and Melanie Klein. This rich intellectual heritage provides the framework for discussion of a variety of themes, including how musicians conceive their self identity and how this is negotiated in the professional musical world; how the deputy system facilitates musical exchange and engenders gift relationships; how humour lubricates social and musical relationships and mitigates the stresses of musicians' lives; and how the events in which musicians participate can be viewed as quasi-rituals, and thus related to analogous events in non-Western cultures. The focus of this study is on professional music-making in London, one of the world's busiest centres of musical performance - yet the issues raised and explored are deeply relevant to other major centres of Western art music, such as New York, Berlin or Sydney. Ethnomusicologists, anthropologists, musicologists, performers, teachers and concert-goers will find this book a stimulating insight into, and investigation of, Western art musicians and their place in today's world.

Live and Recorded

Live and Recorded
  • Author : Yngvar Kjus
  • Publisher :Unknown
  • Release Date :2018-02-09
  • Total pages :184
  • ISBN : 9783319703688
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Summary : This book uncovers how music experience–live and recorded–is changing along with the use of digital technology in the 2000s. Focussing on the Nordic region, this volume utilizes the theory of mentalization: the capacity to perceive and interpret what others are thinking and feeling, and applies it to the analysis of mediated forms of agency in popular music. The rise of new media in music production has enabled sound recording and processing to occur more rapidly and in more places, including the live concert stage. Digital technology has also introduced new distribution and consumption technologies that allow record listening to be more closely linked to the live music experience. The use of digital technology has therefore facilitated an expanding range of activities and experiences with music. Here, Yngvar Kjus addresses a topic that has a truly global reach that is of interest to scholars of musicology, media studies and technology studies.

The Musical Times and Singing-class Circular

The Musical Times and Singing-class Circular
  • Author : Anonim
  • Publisher :Unknown
  • Release Date :1880
  • Total pages :229
  • ISBN : UCD:31175024854245
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Summary :