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A History of Music in Western Culture

A History of Music in Western Culture
  • Author : Mark Evan Bonds
  • Publisher :Unknown
  • Release Date :2010
  • Total pages :649
  • ISBN : STANFORD:36105132269742
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Summary : A History of Music in Western Culture 3/e is based on the premise that the best way to convey the history of Western music is to focus squarely on the music. Organized around a carefully selected repertory of works, this text integrates the requisite names, dates, and concepts around specific compositions. Once familiar with a representative body of music, students can better grasp the evolution of musical style and music's changing uses within the Western tradition. Even more importantly, they will have a sound basis from which to explore other musical works and repertories. This text builds its narrative around the core repertory represented in the Anthology of Scores and the corresponding sets of compact discs.

A History of Music in Western Culture

A History of Music in Western Culture
  • Author : Mark Evan Bonds
  • Publisher :Unknown
  • Release Date :2013
  • Total pages :676
  • ISBN : 0205867227
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Summary : Learn the History of Music, through Music. A History of Music in Western Culture, 4/e is based on the premise that the best way to convey the history of Western music is to focus on specific works of music. The text is structured around a carefully selected repertory of music that reflects the development of the art form throughout time. Mark Evan Bonds helps readers gain a broad understanding of the nature of music, its role in society, and the ways in which these have changed over time. A History of Music in Western Culture challenges students to think critically about the nature of music and its past. Once familiar with a representative body of music, students can better grasp the evolution of musical style and music's changing uses within the Western tradition. Students will have a sound basis from which to explore other musical works. This text builds its narrative around the core repertory represented in the Anthology of Scores and the corresponding sets of compact discs. Learning Goals Upon completing this book, students will be able to: Grasp the evolution of musical style and music's changing uses within the Western tradition. Have a sound basis from which to explore other musical works. Gain a better understanding of the nature of music NOTE: MySearchLab does not come automatically packaged with this text. To purchase the text with MySearchLab, order the package ISBN: 0205940730 / 9780205940738 History of Music in Western Culture Plus MySearchLab with Pearson eText - Access Card Package Package consists of: 0205239927 / 9780205239924 MySearchLab with Pearson eText -- Valuepack Access Card 0205867227 / 9780205867226 History of Music in Western Culture

A Brief History of Music in Western Culture

A Brief History of Music in Western Culture
  • Author : Mark Evan Bonds
  • Publisher :Unknown
  • Release Date :2004
  • Total pages :497
  • ISBN : STANFORD:36105124286902
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Summary : Suitable for all courses in music history. This brief and accessible text provides undergraduates with a conceptual framework for understanding stylistic and social developments in the history of music from classical antiquity to the present. This text allows the student to grasp the richness and importance of musical history in two important ways. It combines narrative with primary sources in a lively and engaging manner and it traces key concepts of musical style and the uses of music across time.

History of Music in Western Culture

History of Music in Western Culture
  • Author : Mark Evan Bonds PhD
  • Publisher :Unknown
  • Release Date :2013-01-23
  • Total pages :696
  • ISBN : 9780205954858
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Summary : Learn the History of Music, through Music. A History of Music in Western Culture, 4/e is based on the premise that the best way to convey the history of Western music is to focus on specific works of music. The text is structured around a carefully selected repertory of music that reflects the development of the art form throughout time. Mark Evan Bonds helps readers gain a broad understanding of the nature of music, its role in society, and the ways in which these have changed over time. A History of Music in Western Culture challenges students to think critically about the nature of music and its past. Once familiar with a representative body of music, students can better grasp the evolution of musical style and music's changing uses within the Western tradition. Students will have a sound basis from which to explore other musical works. This text builds its narrative around the core repertory represented in the Anthology of Scores and the corresponding sets of compact discs. Learning Goals Upon completing this book, students will be able to: Grasp the evolution of musical style and music's changing uses within the Western tradition. Have a sound basis from which to explore other musical works. Gain a better understanding of the nature of music NOTE: MySearchLab does not come automatically packaged with this text. To purchase the text with MySearchLab, order the package ISBN: 0205940730 / 9780205940738 History of Music in Western Culture Plus MySearchLab with Pearson eText - Access Card Package Package consists of: 0205239927 / 9780205239924 MySearchLab with Pearson eText -- Valuepack Access Card 0205867227 / 9780205867226 History of Music in Western Culture

Introduction to Western Culture

Introduction to Western Culture
  • Author : Guobin Xu,Yanhui Chen,Lianhua Xu
  • Publisher :Unknown
  • Release Date :2018-03-23
  • Total pages :187
  • ISBN : 9789811081538
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Summary : Promoting cultural understanding in a globalized world, this collection provides a concise and unique introduction to Western culture, through the voices of Chinese scholars. Written by a team of experts in their fields, the book provides insights into Western history and culture, covering an interdisciplinary range of topics across literature, language, music, art and religion. It addresses such issues as tourism and etiquette, as well as the key differences of distinct cultures, providing readers with a succinct yet effective way to master a basic understanding of Western culture.

Anthology of Scores Volume I for History of Music in Western Culture

Anthology of Scores Volume I for History of Music in Western Culture
  • Author : Evan Bonds
  • Publisher :Unknown
  • Release Date :2013-06-30
  • Total pages :336
  • ISBN : 0205927971
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Summary : Anthology of Scores -- The text, A History of Music in Western Culture, 4th edition by Mark Evan Bonds, builds its narrative around the two-volume Anthology of Scores and a corresponding set of compact discs. Icons in the margin of the text cross-reference the scores and recordings of discussions in the Anthology. The works in the Anthology of Scores to A History of Music in Western Culture have been carefully selected to represent the developments in music history discussed in the text. Volume I covers antiquity through the Baroque era; Volume II covers music of the Classical era to the present. Key features of the Score Anthology include Integrated commentary - Excerpts from the text are integrated into the score anthology at the end of each selection, providing students with basic information and a brief discussion of every work. Cross-referencing to text and recordings - Each selection in the anthology opens with a clear cross-reference to the recorded version of the work (disc and track number) and to the discussion of the work within the text (page number). The score and recordings in the anthology correspond exactly within their chronological span (Volume One of each through the Baroque era; Volume Two of each since the Classical era).

Tonality in Western Culture

Tonality in Western Culture
  • Author : Richard Norton
  • Publisher :Unknown
  • Release Date :1984
  • Total pages :306
  • ISBN : IND:39000005990077
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Summary : This book initiates "the first critical appraisal of the whole of Western tonal consciousness, from the discoveries of Pythagoras to the latest popular song." While tonality has been unwittingly championed as the product of the bourgeois age in Europe and America from 1600 to 1900, Norton states, key-centered music is understood here merely to exhibit components of an encompassing sonic expressivity as durable as any language. The author analyzes fundamental components of Western tonal phenomena that have persisted in music from ancient Jewish cantillation to the so-called atonal procedures of the Schoenberg school and beyond. Norton isolates the role of traditional music theory in the creation of models that attempted to explain tonality solely in terms of the concretized and limited objectivity of the musical score. The author evaluates and discards those features of logical positivism, scientific empiricism, idealism, and vitalism that in his view have encumbered virtually all speculation on tonality. With this negation, his aim is to restore the composer as a creator subject to his own sonic object. The book's approach is particularly indebted to the thought of Theodor Adorno, the member of the Frankfurt School of critical theorists that Norton finds most capable of suggesting an authentic dialectic of tonality. The author interprets the activities of both theorists and composers from various periods within the context of their mutual and conflicting historical interests. Ranging through the fields of physics, acoustics, psychology, sociology, economics, and historical musicology and criticism, Norton demonstrates that the cognitive abilities and disabilities of humans as tonal hearers form a necessary ground for understanding the remarkable vitality of tonality as historical process. Current theories of human tonal activity are hopelessly limited, the book concludes, however self-preserving they have become through the sanction of academic respectability. In short, tonal science, as it is commonly practiced, is not tonal truth. In its place the author urges a thoroughgoing critique of the language and methodology of contemporary tonal speculation, an abandonment of its confining sphere of interest, and a new and liberating approach to tonal consciousness that incorporates all relevant data of human sonic cognition. This approach assumes that tonality is not merely the result of the physical unfolding of natural appearance--the overtone series that so enchanted Rameau, Schenker, Hindemith, and others--and the submission of composers to its assumed authority. Tonality is, rather, Norton contends, a decision made against the chaos of pitch and for the human potential to create works of music that speak with integrity and beauty, that as aesthetic creations neither lag behind nor rush ahead of human enjoyment and understanding.

Temperament

Temperament
  • Author : Stuart Isacoff
  • Publisher :Unknown
  • Release Date :2009-01-16
  • Total pages :288
  • ISBN : 9780307560513
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Summary : Few music lovers realize that the arrangement of notes on today’s pianos was once regarded as a crime against God and nature, or that such legendary thinkers as Pythagoras, Plato, da Vinci, Galileo, Kepler, Descartes, Newton and Rousseau played a role in the controversy. Indeed, from the time of the Ancient Greeks through the eras of Renaissance scientists and Enlightenment philosophers, the relationship between the notes of the musical scale was seen as a key to the very nature of the universe. In this engaging and accessible account, Stuart Isacoff leads us through the battles over that scale, placing them in the context of quarrels in the worlds of art, philosophy, religion, politics and science. The contentious adoption of the modern tuning system known as equal temperament called into question beliefs that had lasted nearly two millenia–and also made possible the music of Beethoven, Schubert, Chopin, Debussy, and all who followed. Filled with original insights, fascinating anecdotes, and portraits of some of the greatest geniuses of all time, Temperament is that rare book that will delight the novice and expert alike.

A History of Music Western Culture

A History of Music Western Culture
  • Author : Mark Evan Bonds
  • Publisher :Unknown
  • Release Date :2013-04-05
  • Total pages :676
  • ISBN : 0205977596
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Summary : Learn the History of Music, through Music. A History of Music in Western Culture, 4/e is based on the premise that the best way to convey the history of Western music is to focus on specific works of music. The text is structured around a carefully selected repertory of music that reflects the development of the art form throughout time. Mark Evan Bonds helps readers gain a broad understanding of the nature of music, its role in society, and the ways in which these have changed over time. A History of Music in Western Culture challenges students to think critically about the nature of music and its past. Once familiar with a representative body of music, students can better grasp the evolution of musical style and music's changing uses within the Western tradition. Students will have a sound basis from which to explore other musical works. This text builds its narrative around the core repertory represented in the Anthology of Scores and the corresponding sets of compact discs. Learning Goals Upon completing this book, students will be able to: Grasp the evolution of musical style and music's changing uses within the Western tradition. Have a sound basis from which to explore other musical works. Gain a better understanding of the nature of music This Book a la Carte Edition is an unbound, three-hole punched, loose-leaf version of the textbook and provides students the opportunity to personalized their book by incorporating their own notes and taking the portion of the book they need to class – all at a fraction of the bound book price.

A History of Western Music

A History of Western Music
  • Author : Donald Jay Grout,James Peter Burkholder,Claude V. Palisca
  • Publisher :Unknown
  • Release Date :2006
  • Total pages :1093
  • ISBN : 0393927490
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Summary : Maintaining the authority and breadth of coverage that has always defined this classic text, this new revision places a stronger emphasis on social and historical context and adds substantially expanded pedagogy and striking four-color design.

Ballet in Western Culture

Ballet in Western Culture
  • Author : Carol Lee
  • Publisher :Unknown
  • Release Date :2002
  • Total pages :368
  • ISBN : 0415942578
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Summary : A history of the development of ballet from the origins of dance through the 20th century.

Anthology of Scores Volume II for History of Music in Western Culture

Anthology of Scores Volume II for History of Music in Western Culture
  • Author : Evan Bonds
  • Publisher :Unknown
  • Release Date :2013-07-09
  • Total pages :648
  • ISBN : 0205927963
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Summary : Anthology of Scores -- The text, A History of Music in Western Culture, 4th edition by Mark Evan Bonds, builds its narrative around the two-volume Anthology of Scores and a corresponding set of compact discs. Icons in the margin of the text cross-reference the scores and recordings of discussions in the Anthology. The works in the Anthology of Scores to A History of Music in Western Culture have been carefully selected to represent the developments in music history discussed in the text. Volume I covers antiquity through the Baroque era; Volume II covers music of the Classical era to the present. Key features of the Score Anthology include Integrated commentary - Excerpts from the text are integrated into the score anthology at the end of each selection, providing students with basic information and a brief discussion of every work. Cross-referencing to text and recordings - Each selection in the anthology opens with a clear cross-reference to the recorded version of the work (disc and track number) and to the discussion of the work within the text (page number). The score and recordings in the anthology correspond exactly within their chronological span (Volume One of each through the Baroque era; Volume Two of each since the Classical era).

A History of European Music

A History of European Music
  • Author : David G. Hughes
  • Publisher :Unknown
  • Release Date :1974
  • Total pages :557
  • ISBN : STANFORD:36105042350665
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Summary :

The Cowboy in Country Music

The Cowboy in Country Music
  • Author : Don Cusic
  • Publisher :Unknown
  • Release Date :2011-07-29
  • Total pages :284
  • ISBN : 9780786486052
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Summary : This series of biographical profiles shines a spotlight on that special place “Where the West meets the Guitar.” From Gene Autry and Roy Rogers to contemporary artists like Michael Murphy, Red Steagall, Don Edwards and Riders in the Sky, many entertainers have performed music of the West, a genre separate from mainstream country music and yet an important part of the country music heritage. Once called “Country and Western,” it is now described as “Country or Western.” Though much has been written about “Country,” very little has been written about “Western”—until now. Featured are a number of photos of the top stars in Western music, past and present. Also included is an extensive bibliography of works related to the Western music field.

The Book that Made Your World

The Book that Made Your World
  • Author : Vishal Mangalwadi
  • Publisher :Unknown
  • Release Date :2012-10-24
  • Total pages :464
  • ISBN : 9781595554000
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Summary : Understand where we came from. Whether you're an avid student of the Bible or a skeptic of its relevance, The Book That Made Your World will transform your perception of its influence on virtually every facet of Western civilization. Indian philosopher Vishal Mangalwadi reveals the personal motivation that fueled his own study of the Bible and systematically illustrates how its precepts became the framework for societal structure throughout the last millennium. From politics and science, to academia and technology, the Bible's sacred copy became the key that unlocked the Western mind. Through Mangalwadi's wide-ranging and fascinating investigation, you'll discover: What triggered the West's passion for scientific, medical, and technological advancement How the biblical notion of human dignity informs the West's social structure and how it intersects with other worldviews How the Bible created a fertile ground for women to find social and economic empowerment How the Bible has uniquely equipped the West to cultivate compassion, human rights, prosperity, and strong families The role of the Bible in the transformation of education How the modern literary notion of a hero has been shaped by the Bible's archetypal protagonist Journey with Mangalwadi as he examines the origins of a civilization's greatness and the misguided beliefs that threaten to unravel its progress. Learn how the Bible transformed the social, political, and religious institutions that have sustained Western culture for the past millennium, and discover how secular corruption endangers the stability and longevity of Western civilization. Endorsements: “This is an extremely significant piece of work with huge global implications. Vishal brings a timely message.” (Ravi Zacharias, author, Walking from East to West and Beyond Opinion) “In polite society, the mere mention of the Bible often introduces a certain measure of anxiety. A serious discussion on the Bible can bring outright contempt. Therefore, it is most refreshing to encounter this engaging and informed assessment of the Bible’s profound impact on the modern world. Where Bloom laments the closing of the American mind, Mangalwadi brings a refreshing optimism.” (Stanley Mattson, founder and president, C. S. Lewis Foundation) “Vishal Mangalwadi recounts history in very broad strokes, always using his cross-cultural perspectives for highlighting the many benefits of biblical principles in shaping civilization.” (George Marsden, professor, University of Notre Dame; author, Fundamentalism and American Culture)

Norton Anthology of Western Music

Norton Anthology of Western Music
  • Author : Burkholder, J. Peter,Grout, Donald Jay,Palisca, Claude V.
  • Publisher :Unknown
  • Release Date :2019-07-01
  • Total pages :1312
  • ISBN : 9780393656428
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Summary : The definitive survey, combining current scholarship with a vibrant narrative. Carefully informed by feedback from dozens of scholars, it remains the book that students and teachers trust to explain whatÕs important, where it fits, and why it matters. Peter Burkholder weaves a compelling story of people, their choices, and the western musical tradition that emerged. From chant to hip-hop, he connects past to present to create a context for tomorrowÕs musicians.

Beyond Exoticism

Beyond Exoticism
  • Author : Timothy D. Taylor
  • Publisher :Unknown
  • Release Date :2007-03-05
  • Total pages :304
  • ISBN : 0822339684
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Summary : DIVStudy of how systems of power and domination have shaped representations of otherness in music./div

Musicians' Mobilities and Music Migrations in Early Modern Europe

Musicians' Mobilities and Music Migrations in Early Modern Europe
  • Author : Gesa zur Nieden,Berthold Over
  • Publisher :Unknown
  • Release Date :2016-10-31
  • Total pages :432
  • ISBN : 9783839435045
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Summary : During the 17th and 18th century musicians' mobilities and migrations are essential for the European music history and the cultural exchange of music. Adopting viewpoints that reflect different methodological approaches and diversified research cultures, the book presents studies on central scopes, strategies and artistic outcomes of mobile and migratory musicians as well as on the transfer of music. By looking at elite and non-elite musicians and their everyday mobilities to major and minor centers of music production and practice, new biographical patterns and new stylistic paradigms in the European East, West and South emerge.

Western Music and Its Others

Western Music and Its Others
  • Author : Research Fellow in Sociology David Hesmondhalgh
  • Publisher :Unknown
  • Release Date :2000-10-15
  • Total pages :360
  • ISBN : 0520220846
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Summary : "[Western Music and Its Others] will be taken as an important book signalling a new turn within the field. It takes the best features of traditional, rigorous scholarship and brings these to bear upon contemporary, more speculative questions. The level of theoretical sophistication is high. The studies within it are polemical and timely and of lasting scholarly value."—Will Straw, co-editor of Theory Rules: Art as Theory/ Theory and Art "The great value of this collection lies in the wealth of questions that it raises--questions that together crystallize the recent concerns of musicology with force and clarity. But it also lies in the authors' resistance to the easy 'postmodernist' answers that threaten to turn new musicology prematurely grey. The editors' comprehensive, intellectually adventurous introduction exemplifies the sort of eager yet properly skeptical receptivity to scholarly innovation that fosters lasting disciplinary reform. It alone is worth the price of the book." —Richard Taruskin, author of Stravinsky and the Russian Traditions: A Biography of the Works Through " Mavra" "When cultural-studies methods first appeared in musicology 15 years ago, they triggered a storm of polemics that sometimes overshadowed the important issues being raised. As the canon wars recede, however, scholars are finding it possible to focus on the concerns that led them to cultural criticism in the first place: the study of music and its political meanings. Western Music and Its Others brings together leading musicologists, ethnomusicologists, and specialists in film and popular music to explore the ways European and North American musicians have drawn on or identified themselves in tension with the musical practices of Others. In a series of essays ranging from examination of the Orientalist tropes of early 20th-century Modernists to the tangled claims for ownership in today's World Music, the authors in this collection greatly advance both our knowledge of specific case studies and our intellectual awareness of the complexity and urgency of these problems. A timely intervention that should help push music studies to the next level." —Susan McClary, author of Conventional Wisdom: The Content of Musical Form (2000) "This collection provides a sophisticated model for using theory to interrogate music and music to interrogate theory. The essays both take up and challenge the dominance of notions of representation in cultural theory as they explore the relevance of the concepts of hybridity and otherness for contemporary art music. Sophisticated theory, erudite scholarship and a very real appreciation for the specificities of music make this a powerful and important addition to our understanding of both culture and music." —Lawrence Grossberg, author of Dancing in Spite of Myself

Women, Music, Culture

Women, Music, Culture
  • Author : Julie C. Dunbar
  • Publisher :Unknown
  • Release Date :2015-12-17
  • Total pages :408
  • ISBN : 9781351857451
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Summary : Women, Music, Culture: An Introduction, Second Edition is the first undergraduate textbook on the history and contribution of women in a variety of musical genres and professions, ideal for students in courses in both music and women's studies. A compelling narrative, accompanied by over 50 guided listening examples, brings the world of women in music to life, examining a community of female musicians, including composers, producers, consumers, performers, technicians, mothers, and educators in art music and popular music. The book features a wide array of pedagogical aids, including a running glossary and a comprehensive companion website with streamed audio tracks, that help to reinforce key figures and terms. This new edition includes a major revision of the Women in World Music chapter, a new chapter in Western Classical "Work" in the Enlightenment, and a revised chapter on 19th Century Romanticism: Parlor Songs to Opera. 20th Century Art Music.

From Classicism to Modernism

From Classicism to Modernism
  • Author : Brian K. Etter
  • Publisher :Unknown
  • Release Date :2019-07-30
  • Total pages :256
  • ISBN : 9781351735070
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Summary : This title was first published in 2001. The last century has witnessed the ascendancy of the avant-garde in music. From Schoenberg to Boulez to Stockhausen, the avant-garde has defined the modern conception of musical creativity. Contemporary serious music demands the "new" in terms of style, form and ways of listening and hearing. Implicit in this approach is the rejection of the "old", from the baroque to the music of the later 19th-century symphonists. Paradoxically, however, it is this "old" repertoire which contiues to dominate concert programmes. An exploration of this dichotomy lies at the heart of this book. Drawing on a wealth of European philosophical and musical texts, the author examines the origins of the avant-garde and its relation to modernity in tandem with the history of the tonal tradition.