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Music Research

Music Research
  • Author : Laurie J. Sampsel
  • Publisher :Unknown
  • Release Date :2009
  • Total pages :323
  • ISBN : UOM:39015073959358
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Summary : This text is designed to help music students become familiar with and use the many research tools available to them. The content is arranged by type of research tool (e.g., encyclopedias, periodical indexes, discographies) and includes a general statement about the uses of each tool and anannotated bibliography that points out their purpose, scope, strengths, and weaknesses. Covering both print and electronic resources, the text does not attempt to be exhaustive but rather guides students to the major research tools in music. A companion Web site maintained by the author helps keepthe material up to date.Intended primarily for music bibliography classes taken by almost all students entering graduate music programs, the text is also a useful supplement for any undergraduate or graduate class in music that requires students to do library research or write a research paper.

Development of Computerized Techniques in Music Research with Emphasis on the Thematic Index

Development of Computerized Techniques in Music Research with Emphasis on the Thematic Index
  • Author : Harry B. Lincoln
  • Publisher :Unknown
  • Release Date :1968
  • Total pages :24
  • ISBN : UIUC:30112014360991
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Summary :

The Bloomsbury Handbook of Rock Music Research

The Bloomsbury Handbook of Rock Music Research
  • Author : Allan Moore,Paul Carr
  • Publisher :Unknown
  • Release Date :2020-07-09
  • Total pages :640
  • ISBN : 9781501330476
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Summary : The Bloomsbury Handbook of Rock Music Research is the first comprehensive academic survey of the field of rock music as it stands today. More than 50 years into its life and we still ask - what is rock music, why is it studied, and how does it work, both as music and as cultural activity? This volume draws together 37 of the leading academics working on rock to provide answers to these questions and many more. The text is divided into four major sections: practice of rock (analysis, performance, and recording); theories; business of rock; and social and culture issues. Each chapter combines two approaches, providing a summary of current knowledge of the area concerned as well as the consequences of that research and suggesting profitable subsequent directions to take. This text investigates and presents the field at a level of depth worthy of something which has had such a pervasive influence on the lives of millions.

Research-Creation in Music and the Arts

Research-Creation in Music and the Arts
  • Author : Sophie Stévance,Serge Lacasse
  • Publisher :Unknown
  • Release Date :2017-12-12
  • Total pages :178
  • ISBN : 9781317065616
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Summary : Since the 1970s, the landscape of higher education and research has been considerably altered by the integration of the arts within the university environment. Even though a form of research is inherent to artistic creation, the creative process is not comparable to the established procedures involved in academic research. As such, how can the imperatives of intellectual (and sometimes restrictive) rigour characteristic of scholarly endeavours be reconciled with the more explorative and intuitive approach of artistic creation? The concept of 'research-creation' allows artists and scholars to collaborate on a common project, acknowledging each participant’s expertise in the production of an artistic work that either generates theoretical reflections or has emerged from academic research. This fully revised and updated translation of Sophie Stévance and Serge Lacasse’s original French book offers an overview of the historical, political, social, cultural and academic contexts within which research-creation has emerged in Quebec and Canada, before similar (yet often divergent) conceptions appeared elsewhere in the world. Focussing primarily on the case of music, the book goes on to explore the pedagogical potential of research-creation within a university-based environment and proposes a clear and encompassing definition, as well as a theoretical model, of research-creation supported by concrete examples. By underscoring the reciprocal nature of this approach and the potential benefits of collaborative relationships, the authors’ vision of research-creation extends far beyond the field of music and art alone: rather, it has the potential to integrate all approaches and disciplines that seek to combine practice and research.

Music Research

Music Research
  • Author : Michael Ewans,Rosalind Halton
  • Publisher :Unknown
  • Release Date :2004
  • Total pages :453
  • ISBN : 9781904303350
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Summary : This book compiles revised versions of a number of the papers originally delivered at the Twenty-Fifth National Conference of the Musicological Society of Australia, held in Newcastle, New South Wales, between 3 and 6 October 2002. Aside from the three keynote addresses, all the papers published here have been refereed and peer reviewed. Like this publication, the conference was entitled Music Research: new directions for a new century. Papers were invited under four main themes: Research through Performance, Music and Society, Music and Technology, and Structure and Context. The three keynote speakers addressed the first three of these, Roy Howat and Suzanne Cusick approaching from different perspectives, respectively, the relationship between performance and research, and the relationship of both to music in society, while Rolf Gehlhaar discussed the many ways in which music can now interface with technology. List of Contributors Roy Howat, Marie-Louise CAtsalis, Rosalind Halton, Prudence Dunstone, Jacqueline Ogeil, Daniela Kaleva, Alan Maddox, Ikuno Sako, Johanna Selleck, Patricia Duke, Frank Murphy, John Napier, Suzan Cusick, Katelyn Barney, Elizabeth Mackinlay, Steven Knopoff, Brydie-Leigh Bartleet, Tim Humphrey, Roland Bannister, Antonio Tony Colla, Antonio Comin, Gabriela Vardanega, Linda Kouvaras, Jason Geary, David Irving, Anne-Marie Forbes, Peter Freeman, Julia Lu, Deborah Priest, Patricia Shaw, Jennifer Shaw, Rolf Gelhaar, Cathy Cox, Eddy Chong, Ruth Lee Martin, Dennis Collins, Nicholas Routley, Andrew Robbie, Jason Stoessel, John Phillips.

Performing Music Research

Performing Music Research
  • Author : Aaron (Professor of Performance Science Williamon, Professor of Performance Science Royal College of Music),Aaron Williamon,Jane (Associate Director of Research Ginsborg, Associate Director of Research Royal Northern College of Music),Jane Ginsborg,Rosie (Reader in Performance Science Perkins, Reader in Performance Science Royal College of Music),Rosie Perkins,George (Research Associate in Performance Science Waddell, Research Associate in Performance Science Royal College of Music),George Waddell
  • Publisher :Unknown
  • Release Date :2021-01-21
  • Total pages :544
  • ISBN : 9780198714545
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Summary : Performing Music Research is a comprehensive guide to planning, conducting, analyzing, and communicating research in music performance. The book examines the approaches and strategies that underpin research in music education, psychology, and performance science.

Directory of Music Research Libraries

Directory of Music Research Libraries
  • Author : Anonim
  • Publisher :Unknown
  • Release Date :1967
  • Total pages :229
  • ISBN : OCLC:8624949
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Summary :

Knowledge-based Programming for Music Research

Knowledge-based Programming for Music Research
  • Author : John W. Schaffer,Deron McGee
  • Publisher :Unknown
  • Release Date :1997-01-01
  • Total pages :396
  • ISBN : 9780895793782
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Summary : In Knowledge-Based Programming for Music Research, Schaffer and McGee explore expert systems for applications in artificial intelligence (AI). The text concerns (1) basic principles for knowledge-based programming, (2) concepts and strategies for programming these systems, (3) a "universal data" model for music analysis, and (4) examples that concern specific aspects of design and application. The authors also investigate Prolog (programming in logic), one of the most widely used computer languages for AI, and base some of their applications on the recent implication-based theories of Eugene Narmour. Of the applications for programming a knowledge-based system, music analysis has the most potential. Beyond identifying isolated elements, it is possible to create programs that extend to chord structures and other, more complex structures. This kind of programming allows the authors to embed the rules of composition in the application and then extend the analysis throughout the musical work. It also allows them to arrive at the underlying principles for a given composition. As a tool for music analysis, such programming has profound implications for further growth. The text is designed for musicians at various levels and could also be used in courses on computer-music programming. Parts of the book have been successfully used in courses on computer programming for music research, with which the authors have direct experience. The text includes extensive examples of code for use in individual Prolog applications and a comprehensive bibliography.

Pascal Programming for Music Research

Pascal Programming for Music Research
  • Author : Alexander R. Brinkman
  • Publisher :Unknown
  • Release Date :1990-06-26
  • Total pages :963
  • ISBN : 0226075079
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Summary : Pascal Programming for Music Research addresses those who wish to develop the programming skills necessary for doing computer-assisted music research, particularly in the fields of music theory and musicology. Many of the programming techniques are also applicable to computer assisted instruction (CAI), composition, and music synthesis. The programs and techniques can be implemented on personal computers or larger computer systems using standard Pascal compilers and will be valuable to anyone in the humanities creating data bases. Among its useful features are: -complete programs, from simple illustrations to substantial applications; -beginning programming through such advanced topics as linked data structures, recursive algorithms, DARMS translation, score processing; -bibliographic references at the end of each chapter to pertinent sources in music theory, computer science, and computer applications in music; -exercises which explore and extend topics discussed in the text; -appendices which include a DARMS translator and a library of procedures for building and manipulating a linked representation of scores; -most algorithms and techniques that are given in Pascal programming translate easily to other computer languages. Beginning, as well as advanced, programmers and anyone interested in programming music applications will find this book to be an invaluable resource.

Sourcebook for Research in Music

Sourcebook for Research in Music
  • Author : Phillip Crabtree,Donald H. Foster,Allen Scott
  • Publisher :Unknown
  • Release Date :2005
  • Total pages :382
  • ISBN : 0253217806
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Summary : The Sourcebook for Research in Music, in this revised and greatly expanded second edition, is an invaluable guide to the researcher in navigating the vast proliferation of materials in music research. The editors emphasize English-language and recent sources, and also include essential materials in other languages. An opening chapter of introductory materials, including a list of common bibliographical terms with definitions, German and French bibliographical terms, and the plan of the Library of Congress and the Dewey Decimal music classification systems, is followed by seven bibliographical chapters, covering lists of sources as well as collective annotations that introduce and identify specific items. A reference tool containing varied information relating to research in music, the Sourcebook will serve as a classroom text and as a resource for individual music researchers, librarians, faculty members, students, performing and teaching musicians, and musical amateurs.

A Study of Computer Techniques for Music Research

A Study of Computer Techniques for Music Research
  • Author : Harry B. Lincoln
  • Publisher :Unknown
  • Release Date :1970
  • Total pages :20
  • ISBN : STANFORD:36105042465240
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Summary :

Music in Canada

Music in Canada
  • Author : Carl Morey
  • Publisher :Unknown
  • Release Date :1997
  • Total pages :283
  • ISBN : 0815316038
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Summary : Providing access to virtually any subject related to music and musicians in Canada, more than 900 annotated entries are organized under 13 topics, and indexed by author, subject, and title. Background and supplementary information and suggestions for research are presented in introductory essays. The material covered reflects the broad spectrum of music in Canadian society including historical, analytical, and biographical studies of music derived from the European tradition, First Nations and Inuit music, jazz and popular works, folk and ethnic music, education, research and bibliographical materials. The reader is also directed to some important on-line resources. Musical activity in Canada has developed remarkably in the past 50 years, with a parallel growth of musical scholarship examining historical, social, and ethnological aspects of Canadian musical life. This "Guide" is the first to draw comprehensively on the wealth of studies now available, which are often dispersed and not easily located. Consequently, this information is invaluable to students and researchers interested in Canadian music, the music of North America, and Canadian studies. Index.

Music Research Forum

Music Research Forum
  • Author : Anonim
  • Publisher :Unknown
  • Release Date :2009
  • Total pages :229
  • ISBN : UOM:39015057478714
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Summary :

Directory of Music Research Libraries

Directory of Music Research Libraries
  • Author : International Association of Music Libraries. Commission of Research Libraries
  • Publisher :Unknown
  • Release Date :1967
  • Total pages :229
  • ISBN : UVA:X002052176
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Summary :

General Bibliography for Music Research

General Bibliography for Music Research
  • Author : Keith Eugene Mixter
  • Publisher :Unknown
  • Release Date :1975
  • Total pages :135
  • ISBN : 0911772758
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Summary :

Contemporary Research in Music Learning Across the Lifespan

Contemporary Research in Music Learning Across the Lifespan
  • Author : Jennifer Bugos
  • Publisher :Unknown
  • Release Date :2016-08-12
  • Total pages :260
  • ISBN : 9781317231509
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Summary : This book examines contemporary issues in music teaching and learning throughout the lifespan, illuminating an emerging nexus of trends shaping modern research in music education. In the past, most music learning opportunities and research were focused upon the pre-adult population. Yet, music education occurs throughout the lifespan, from birth until death, emerging not only through traditional formal ensembles and courses, but increasingly through informal settings as well. This book challenges previous assumptions in music education and offers theoretical perspectives that can guide contemporary research and practice. Exploring music teaching and learning practices through the lens of human development, sections highlight recent research on topics that shape music learning trajectories. Themes uniting the book include human development, assessment strategies, technological applications, professional practices, and cultural understanding. The volume deconstructs and reformulates performance ensembles to foster mutually rewarding collaborations across miles and generations. It develops new measures and strategies for assessment practices for professionals as well as frameworks for guiding students to employ effective strategies for self-assessment. Supplemental critical thinking questions focus the reader on research applications and provide insight into future research topics. This volume joining established experts and emerging scholars at the forefront of this multifaceted frontier is essential reading for educators, researchers, and scholars, who will make the promises of the 21st century a reality in music education. It will be of interest to a range of fields including music therapy, lifelong learning, adult learning, human development, community music, psychology of music, and research design.

African Music Research

African Music Research
  • Author : Hugh Tracey
  • Publisher :Unknown
  • Release Date :1969
  • Total pages :80
  • ISBN : UCAL:$B801098
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Summary :

Music Research Data Management

Music Research Data Management
  • Author : Amy S. Jackson,Sean Luyk
  • Publisher :Unknown
  • Release Date :2020
  • Total pages :152
  • ISBN : 9780895798909
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Summary : What is research data for music researchers and performers? How can music librarians develop their knowledge and skills to better meet the research data needs of their constituents, and contribute to the data-intensive turn in academia? Music Research Data Management: A Guide for Librarians explores these questions, provides readers with a background in research data management as it applies to specific music disciplines, and presents examples of the data used within several of the major music and music-related disciplines. Many academic libraries offer extensive research data management services, which may include support for data management planning, data description and access, preservation, and the promotion of open data initiatives. Because of a lack of shared vocabulary, music researchers may not realize that they work with “data” and are eligible for these services. Music researchers and performers work with items such as texts, datasets, and recordings, and create new items for the library to curate and preserve. By drawing upon research data management principles, music librarians can define music research data and articulate its importance. Music Research Data situates research data management within the music disciplines and examines how music librarians can become leaders in the evolving turn towards data-focused research and scholarship, including ways in which our libraries can better support and curate these data. Useful to music librarians with varying levels of experience and development in research data management services at their libraries, this book offers a solid foundation for building these services.

Applications of Research in Music Behavior

Applications of Research in Music Behavior
  • Author : Clifford K. Madsen,Carol A. Prickett
  • Publisher :Unknown
  • Release Date :1991-03
  • Total pages :370
  • ISBN : 0817305424
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Summary : This book is a compilation of current research that investigates various aspects of musical experience and stresses the practical applications and implications of investigating music behavior in a systematic, objective manner. Specifically, the book focuses on factors influencing the teaching of children; efficient methods for instructing future teachers; elements affecting musical perception, likes, and dislikes; and innovative efforts to investigate new areas of study. Recent studies by twenty-six nationally known educators that use objective strategies associated with experimental and behavioral research are presented to illustrate how people learn about music and how people are taught to make music. The research studies are introduced by an article emphasizing the usefulness of research literature in devising a teaching strategy and are grouped into four sections: Teaching Music to Children, Teaching Future Teachers, Preference and Perception, and New Horizons. The concluding article is an allegorical proposal for balance and perspective in the consideration of music education.

An Introduction to Library Resources for Music Research

An Introduction to Library Resources for Music Research
  • Author : Keith Eugene Mixter
  • Publisher :Unknown
  • Release Date :1963
  • Total pages :61
  • ISBN : STANFORD:36105042465562
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Summary :

Computers in Music Research

Computers in Music Research
  • Author : Anonim
  • Publisher :Unknown
  • Release Date :1999
  • Total pages :229
  • ISBN : UVA:X004714500
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Summary :